Victim of love
Charles Bradley
Keywords
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Reviews (2)
AllMusic
2014
By
By
James Christopher Monger
2014
"Wildewoman is at its best when all of the group's proclivities are tossed into the pot, re-seasoned, and simmered until done, and songs like the propulsive "Turn It Around," the lush title cut, and the roaring "Tempest" navigate the spaces between those predilections with great aplomb, creating a surprisingly listenable hybrid of country, new wave, AOR pop, and NPR-baiting indie rock in their wake".
Rolling stone
d. 1. Nov. 2013
By
By
Will Hermes
d. 1. Nov. 2013
"You hear the Andrews Sisters and the Roches as much as the Shangri-Las, and the production gets freaky in ways that always serve the songs: Check the smeary guitar solo on "Don't Just Sit There," and "Monsters," a parlor-room waltz that cleaves to a kind of sonar bleep. On the Phil Spector-ish finale "How Loud Your Heart Gets," the women chant that they're "going going going to get you." Smart money says they will will will".