Live 1 : en hyldest til Flemming Bamse Jørgensen
Stig & Vennerne
Emneord
Minder om
The night and the music
Lina Nyberg
Legends & legacies
Flaco & Max
Don't you feel my leg : the naughty bawdy blues of Blue Lu Barker
Maria Muldaur
Many a new day : Karrin Allyson sings Rodgers & Hammerstein
Karrin Allyson
The best of the rock 'n' roll pioneers
Cliff Richard
Den Nye Salmetrio fortolker Leonard Cohen
Den Nye Salmetrio
Out from the center
Bruce Katz
Amy : the original soundtrack
Crushing
Julia Jacklin
Anmeldelser (2)
JazzTimes
d. 27. maj 2019
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Andrew Gilbert
d. 27. maj 2019
"A strikingly crafted project created in close collaboration with Israeli bassist Noam Wiesenberg, who wrote the arrangements, Ámbar features Meza's rhythmically supple string-quartet-and-rhythm-section Nectar Orchestra. From the first track, "Kallfu," one of six originals on the album, she casts a spell with an arresting amalgam of Latin American, jazz, and chamber-pop influences. Whether she's getting Björkish on her song "Awaken" or making Pat Metheny and David Bowie's "This Is Not America" sound like an anguished response to the evening news, each piece recalibrates the particular mix of elements. As a composer, she writes songs, like the surging title track, shaped around her vocal strength".
DownBeat
2019 June
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Carlo Wollf
2019 June
"Camila Meza's voice puts me in mind of Miles Davis, which is odd because her music is nothing like his. Ámbar, her fourth solo album, is lush and light-footed, full of chamber-style string writing and grounded in the music of South America, all qualities not normally associated with Davis. And yet, there's something about the resolute straightness of her sound, and the way it manages to be so emotionally expressive with so little vibrato, that seems completely of a piece with Davis' aesthetic. Mainly, it's a matter of confidence: Like Davis, Meza seems so sure of her approach - her pitch, her diction, her understanding of the lyric - that any additional ornamentation would be overkill".