"Ackamoor's saxophone style is all the things you love about Pharoah Sanders while also being recognisably his own. His compositions range from exotica-tinged ballads to gutsy free-jazz work-outs. The groove never lets up, and takes in hip hop, rock and, on one track, reggae. Succinct vocals are used on half the tracks and the lyrics are eloquent and relevant (about the environment, equal rights and the universal need for love). The most moving track, as it happens, uses no lyrics. On "Soliloquy For Michael Brown," named after the young African American shot dead by a white policeman in Ferguson, Missouri in 2014, Ackamoor's saxophone essays a heart-wrenching lament which needs no words to communicate its message. The album was recorded in London, and the production, by Malcolm Catto, drummer with and producer of Britain's Sun Ra, Ethio-Jazz and dub-focused band The Heliocentrics, is straightforward and unobtrusive".