"With a voice slightly reminiscent of Louis Prima, Vaughan sinks his teeth into material originally cut by an eclectic assortment of immortals: T-Bone Walker, Lefty Frizzell, Chuck Willis, Fats Domino, Jimmy Reed, and Clarence "Gatemouth" Brown. To his credit, Vaughan often digs deep, avoiding the more obvious choices ... the style Vaughan explores on Baby, Please Come Home [is] steeped in the postwar jump blues and swing of Louis Jordan and Roy Brown".