"The symbiosis of her crystalline vocals with skeletal piano works brilliantly with Baudelaire's explorations about abjection, rejection and desperation. Excerpted from his masterpiece The Flowers of Evil, the stark nature of the arrangements marry with the stark nature of the words, but there is a leavening. The production on The Enemy, The Ghost, and Burial conjures up both 19th-century Paris and 1970s Laurel Canyon Joni Mitchell, with Susanna channelling that rigour, control and true feeling that Mitchell is so synonymous with".