Ad astra : original motion picture soundtrack
Chernobyl : music from the HBO miniseries
Emneord
Anmeldelser (6)
GamesRadar
d. 6. juni 2019
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Erlingur Einarsson
d. 6. juni 2019
"Recorded using the sounds made by an actual nuclear plant (a disused one in Lithuania that was used for filming large parts of this series), the music is completely organic to the visuals, elevating an already-great drama to a whole new level. She may have been a protege of the late, great Johann Johannsson (Arrival, The Theory of Everything), but here she stamps her authority as a master of the art herself".
Movie Music UK
d. 19. juni 2019
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Jonathan Broxton
d. 19. juni 2019
"Since the show premiered on HBO in May I have read so much commentary online, from writers I respect, and from composers I admire, who have been praising this score to high heaven, and I cannot for the life of me understand what they are finding to praise. This is the sort of film music I dislike the most; music which dispenses entirely with any sort of emotional content and simply presents a relentless background whine of electronic nothingness, music that is either so indistinguishable from sound effects that it's rendered pointless, or is so terrible when you can hear it that it becomes an irritating distraction".
Information
d. 9. sep. 2021
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Ralf Christensen
d. 9. sep. 2021
"En industrialhorrormusik, der er en konstruktionsteknisk advarsel om forestående kollaps. En strålingslæges diagnose. En lydformidling af radioaktiv overdosis ... Der er smældende og bankende stød i betonorganismen, skærende og tandudtrækkende klagetoner fra det dødbringende ventilationsanlæg. Det er et kunstnerisk udfordrende tonalt/klangligt udtryk for katastrofen ... Og så også lidt mere regulære kompositioner: militærkor og knusende smuk klage-folkemusik ... det hensatte mig i en dyb melankoli på vegne af menneskets fremskridtsdrift".
Information
d. 9. sep. 2021
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Ralf Christensen
d. 9. sep. 2021
"En industrialhorrormusik, der er en konstruktionsteknisk advarsel om forestående kollaps. En strålingslæges diagnose. En lydformidling af radioaktiv overdosis ... Der er smældende og bankende stød i betonorganismen, skærende og tandudtrækkende klagetoner fra det dødbringende ventilationsanlæg. Det er et kunstnerisk udfordrende tonalt/klangligt udtryk for katastrofen ... Og så også lidt mere regulære kompositioner: militærkor og knusende smuk klage-folkemusik ... det hensatte mig i en dyb melankoli på vegne af menneskets fremskridtsdrift".
The gramophone
2020 August
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James McCarthy
2020 August
"This score changed everything for Guðnadottír. Using only sounds recorded at an abandoned power plant in Lithuania, she creates a tense, claustrophobic and totally unpredictable new musical world. Music is sound, sound is music".
The gramophone
2020 August
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James McCarthy
2020 August
"This score changed everything for Guðnadottír. Using only sounds recorded at an abandoned power plant in Lithuania, she creates a tense, claustrophobic and totally unpredictable new musical world. Music is sound, sound is music".