Check shirt wizard : live in '77 : Rory Gallagher with Gerry McAvoy, Lou Martin, Rod de'Ath
Rory Gallagher
Emneord
Minder om
Steamrolling live
Grarup Allstars
The white man made me do it
Swamp Dogg
A music man like nobody ever saw: Arthur "Big Boy" Crudup - a music man like nobody ever saw
Arthur "Big Boy" Crudup
Shuffle and go
Fairport Convention
In a roomful of blues
Roomful of Blues
The American epic sessions : original motion picture soundtrack
Coat of arms
Wishbone Ash
The demonstration
Drab Majesty
Blackstar
David Bowie
Anmeldelser (2)
Glide Magazine
d. 13. dec. 2019
af
af
Jim Hynes
d. 13. dec. 2019
"Restlessness is a chronic state for Sugar Blue, who in this case, finds both new sounds and new places to record. The harmonica virtuoso wrote and recorded on four continents, U.S. (Chicago), China, Europe (Italy), and Africa (South Africa) for Colors. As we've come to learn Sugar Blue, expect his albums to be eclectic but he takes it to another level here. Sure, you'll hear some blues, but you'll be surprised by many other sounds along the way ... He's at the intersection of blues, jazz, pop and we can now add 'world' to his repertoire. Add that all up and maybe it explains the 'strange' reference. It's impossible to compare anyone to him".
DownBeat
2020 April
af
af
Frank-John Hadley
2020 April
"The veteran's rocket-speed runs on harmonica are the stuff of ebullient, if overbearing, virtuosity, and his ferocious imagination makes him reach out for the unexpected. This album (...) has the former Rolling Stones sidekick sizing up the Bo Diddley beat ("And The Devil Too"), the Beatles ("Day Tripper"), a dreamy strain of Afro-pop ("We'll Be All Right" with African show choir Afrika Riz), self-created Wild West mythology ("Bass Reeves") and Americana balladry ("Bonnie And Clyde"), along with several blues numbers. Count on Blue, too, for faulty singing that has its odd charm".