CPR

"Both albums feature some great tracks, and although there's not one actually bad song on there, there's (in my view) one truly excellent album between the two. And when I refer to the MOR here, with songwriters like David Crosby around, whatever your musical tastes, this is of a much higher calibre. Well packaged with digipaks and booklets, no bonus tracks though, and would have been nice as a set with the band's two live sets. For lovers of quality jazzfusion folk/country AOR/MOR, aka Soft Rock".

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"CPR [was David Crosby's] 1998 debut with another trio named after its members ... Hellhounds inevitably crowd his lyrics: the recent brush with death; the cumulative guilt and nightmares of his calamitous 1980s ... But his voice is improbably strong for someone with a new internal organ, and while CPR's production leans toward Steely Dan-ish gloss, the modal dream settings and choral twists of "Rusty And Blue" and "It's All Coming Back To Me Now" are the right kind of starting over, Crosby drawing from his early, experimental peaks in The Byrds and the 1971 inner-space classic, If I Could Only Remember My Name".