"The album's highlight is "Too Dead Inside," a dancehall-influenced collaboration with PC Music's Danny L. Harle in which Ćmiel pleads, "Take me somewhere pretty, pretty enough to fill this empty," later coming to the realization that "It's not so hollow." Closing track "Mandy" recalls the spirit of early Crystal Castles with its noisy, bitcrushed beats and harsh screams, yet there's also a tender heart beating inside".