Musik / klassik

Hammerklavier : piano sonatas op 106 & op 2 no 3


Indhold

Seneste udgave,

Sonate for klaver nr. 29, B-dur, opus 106 ("Hammerklaversonate")

Ludwig van Beethoven

Sonate for klaver nr. 3, C-dur, opus 2:3

Ludwig van Beethoven


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Anmeldelser (24)


The guardian

d. 6. okt. 2016

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Kate Molleson

d. 6. okt. 2016

"The Scottish pianist plays with an authority built on intelligent, very human musicianship: his accounts of these three late-period Beethoven sonatas are hugely personal but are never about him ... He orders the music in reverse, starting with the fearsome Hammerklavier and playing the explosive outer movements with a high-definition elan that makes this wildest of Beethoven sonatas sound even wilder. Slow movements are tender, plain-speaking, profound".


Klassik heute

d. 27. feb. 2018

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Christoph Schlüren

d. 27. feb. 2018

"Klassik Heute Empfehlung: Eines Albums, das mit seiner schieren Substanz nicht nur einfach überzeugt, sondern den Hörer beflügelt und sein Verhältnis zu Beethoven nachhaltig vertiefen kann ... Das natürliche Klangbild unterstützt den grossartigen Gesamteindruck eminent".


Classics today

2018

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Jed Distler

2018

"Fine as it is, Perahia's Moonlight proves nowhere near so striking, so interesting, nor so memorable as his Hammerklavier. His remarkable interpretation leaves no small detail unconsidered, yet still conveys tremendous vibrancy, forward motion, and a sense of controlled freedom ... while his 69-year-old fingers operate at unambiguously full capacity as regards speed, accuracy, suppleness and flexibility ... In short, Perahia's Hammerklavier timelessly fuses the personal and universal in a release that easily takes its place among the catalog's greatest versions. It's a recording that's built to last".


MusicWeb international

2025 January

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Rob Challinor

2025 January

"It is no surprise that Hamelin has made his way to the giant of the classical piano literature that is Beethoven's Hammerklavier sonata. He has scaled summits of other eras to great acclaim ... Hamelin shines in this repertoire as brightly as in the romantic and more contemporary repertoire that we are used to hearing him in ... I see that he is playing all the Beethoven concertos in the upcoming months. Based on this gorgeously recorded and performed album it would be wonderful to have him commit those to disc, but for the moment I would just say savour these special recordings".


MusicWeb international

2025 January

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Stephen Greenbank

2025 January

"Recommended: Surprisingly, this is Marc-André Hamelin's first Beethoven release. He has chosen two sonatas, known for their epic proportions and profound technical challenges ... Hamelin certainly hits the heights in this recording. I sincerely hope there'll be more Beethoven to come from Hamelin, such has been the pleasure I've derived from this disc".


Presto classical

d. 9. feb. 2018

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James Longstaffe

d. 9. feb. 2018

"Recording of the week: At just over forty minutes, it must be one of the swifter accounts [of the Hammerklavier] out there, and yet it never feels hurried or "too fast", partly because of the clarity and conviction that Perahia brings, but also because of the care he takes over the ends of phrases ... Perahia latches onto this idea of [the Moonlight] being more of a fantasy, and brings a wonderful freedom to his playing".


Politiken

d. 10. jan. 2017

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Henrik Friis (f. 1978)

d. 10. jan. 2017

"Hans spil er personligt og fintmærkende med store kommaer, der skaber rum til eftertænksomhed ... Og når musikken løber løbsk, går han ret beset amok. Han standser brat. Leger. Går i stå. Og går amok igen. Det er medrivende, fordi det foregår lige på grænsen til det, at det giver mening. Så hurtigt, at det næsten flyder sammen".


Diapason

2017 janvier

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Bertrand Boissard

2017 janvier


Fono Forum

2025 Januar

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Matthias Kornemann

2025 Januar


Politiken

d. 22. nov. 2024

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Thomas Michelsen

d. 22. nov. 2024

"Hvad er så den vigtigste klaversonate i hele musikhistorien? Man kan argumentere kraftigt for, at det er den, Beethoven skrev som sin nummer 29 i rækken. Den, der er kendt som 'Hammerklaversonaten' ... Marc-André Hamelin har indspillet 'Hammerklaversonaten', og når jeg giver fem i stedet for seks hjerter, er det på en måde urimeligt, for det skyldes udelukkende, at fortolkningen lyder for lækkert".


BBC music magazine

2024 December

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Rebecca Franks

2024 December

"Beethoven's 'Hammerklavier' Sonata has long been seen as a formidable challenge to pianists, a Mount Everest of the solo repertoire ... The apparent technical ease Marc-André Hamelin brings to it is notable - as is the fact that, paradoxically, he maintains the music's demanding character ... Was I persuaded I had been taken on a deep, emotional, even philosophical, journey? Not entirely. In comparison, the Sonata in C major, Op.2 No. 3 finds Hamelin unburdened, enjoying early Beethoven with relish and gusto".


Diapason

2016 octobre

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Bertrand Boissard

2016 octobre


BBC music magazine

2016 November

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Michael Tanner (musikanmelder)

2016 November

"Beethoven's largest, most difficult - for the player and listener - sonata has received several amazing recordings in recent years, and Nelson Goerner's is one of them. It is also a highly individual though never quirky account ... The disc is rounded off with the Six Bagatelles, Op. 126 ... a gloriously insouciant set of short pieces ... and here ideally played".


BBC music magazine

2022 December

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Bayan Northcott

2022 December

"Roscoe's ebullient launch [of the Hammerklavier] hovers around [metronome mark] 120, much varied later in the ebb and flow of Beethoven's material, but never losing an undercurrent of boundless energy ... As for the demented inventiveness of the final fugue, in which some of the greatest pianists have come unstuck, Roscoe keeps a firm command to the end".


BBC music magazine

2018 May

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Michael Church

2018 May

"Instrumental choice: The pulse of the Scherzo is rigorously even, but it has explosive energy; the sheer precisions of the articulation in the finale is a pleasure, as he takes us boldly through its labyrinth of furiously contending ideas ... Perahia's account of the Moonlight Sonata is no less exemplary. He brings out the grave poetry of the Adagio, presents a relaxed and conversational Allegretto, and the finale has charm, rather than the facetious excitement with which many pianists imbue it".


BBC music magazine

2016 December

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Michael Tanner (musikanmelder)

2016 December

"The whole work ... struck me afresh with Osborne bringing so many new insights to it [Hammerklavier Sonata] ... They [the other works] are given fine performances, but I can't imagine that anyone will want to listen to anything for sometime after this colossal Hammerklavier".

Vurdering : 5/5.


The gramophone

2016 October

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Patrick Rucker

2016 October

"What a pleasure to report the nearsimultaneous release of two magnificent new Hammerklaviers by a pair of internationally recognised artists, Nelson Goerne and Steven Osborne ... These discs seem to signal peak periods of their musical and pianistic powers ... The opening of Osborne's Hammerklavier bursts with energy and excitement ... The result is a virtuoso apotheosis as brilliant as molten iron from a blast furnace ... Each may be considered representative of the current ethos framing Beethoven performance on the modern piano".


The gramophone

2024 November

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Jed Distler

2024 November

"As the music grows increasingly decorative and elaborate, Hamelin gradually expands his expressive palette, assiduously building to a shattering climax. In short, Hamelin's masterful marshalling of small details reveals both the majesty and the inherent classicism of Beethoven's achitecture ... Excellent sound and insightful annotations ... bolster my warn recommendation".


The gramophone

2016 October

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Patrick Rucker

2016 October

"Vurdering: Editor's choice" - "Goerner's Hammerklavier is about flight, variety of shapes, sounds, ideas and precision of communication ... Phrases are imbued with life and meaning but, equally importantly, they are separated by breath, lending them intelligibility ... If ever there were an effortless Hammerklavier finale, this is it".


Berlingske tidende

d. 3. maj 2003

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d. 3. maj 2003


Jyllands-posten

d. 18. aug. 2003

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d. 18. aug. 2003


The gramophone

2022 Awards

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Jed Distler

2022 Awards

"The ninth and final volume of Martin Roscoe's Beethoven sonata cycle for DeuxElles matches the distinction of its predecessors ... The reading scores above many modern-day versions for lightness and lilt ... [and] conveys both geniality and shapely wit at the same time ... DeuxElles' engineering enhances my admiration for Roscoe's intelligent virtuosity".


The gramophone

2012 January

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Jed Distler

2012 January

"Andreas Haefliger's Perspectives series has been a model of thoughtful and occasionally provocative programme-building. This fifth instalment leans more towards provocation ... Avie's engineering captures Haefliger's piano and the 1200-seat La Chaux-de-Fonds gorgeous acoustic to perfection".


The gramophone

2018 March

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Richard Osborne (f. 1943)

2018 March

"Recording of the month - Editor's choice: Perahia is artist enough to know that great art is never, of itself, ugly. It may be Beethoven's instinct to push every component of the dauntingly complex contrapuntal finale [of the Hammerklavier] to its logical conclusion (and beyond) but Perahia, though honouring the intent, declines to turn the music into a rout. In matters of musical diction, lucidity matters ... This is a disc, naturally and vividly recorded, of rare distinction and pedigree".