"[The] pairing [of Sally-Anne Morgan and Sarah Louise Henson] as House And Land finds them exploring ten traditional songs, sourced largely from unaccompanied versions recorded by the likes of Jean Ritchie, Roscoe Holcomb and Shirley Collins, in a minimal soundscape of modal harmonies, microtonal ornamentation and drone. Several of the selections are hymns, including an Old Regular Baptist version of "Guide Me O Thou Great Jehovah" (unaccompanied, save for Morgan's spectral fiddle) and "The Day Is Past And Gone" - on which Thom Nguyen's drums entwine with Sarah's twelve-string guitar like a briar and a rose, transforming the song into a thrillingly extemporised Appalachian raga ... The album's closing track is (...) "Unquiet Grave". That oft-quoted Bob Dylan line about folk music - "it's weird, man, full of legend, myth, Bible and ghosts" has rarely rung truer. There's an undeniably haunted [or "spooky"] quality to this record, but it's also one that's located squarely inthepresent ... My favourite record of the year, thus far".