"What really strikes is how, being instrumental, the album is free to go to deeper and earthier places, places the submarine falsetto of previous albums couldn't take it. It's an album that sets out to excite and take risks and be messy. Alternately visceral and cerebral, and building with a whole new set of tools, UMO's second release this year feels like a band bursting from their bubble; saying plenty about both Nielson's fevered creativity, and the future of his cherished project".