"Her best yet: From its Abigail's Party cover onwards, Nadine Shah's fourth album bristles with black humour, and takes absolutely no prisoners. A defiant, rocking album about being a woman, it eschews earnestness for disruptiveness, and is full of fantastic, cutting lyrics ... Shah's voice throughout is fantastic, carrying and castigating her listeners along with her, while her brilliant band nails radio-friendly rock, swirling 4AD-style gothic atmospheres, and perfect post-punk attack".