Leftover wine

"Love her or hate her, no one can argue that Melanie Safka was an artist entirely unafraid to lay her emotions bare before her listeners, and in a real way this is what makes 1970s Leftover Wine the litmus test that identifies a hard-core Melanie fan rather than a casual admirer ... For a passionate fan, Leftover Wine is certainly a rewarding listen, but it's probably a steeper climb into Melanie's mindset than most folks would care to take".

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"Melanie was a Woodstock generation Kurt Cobain. This mostly live set from 1970 captures it all; nervy monologues, stage invasions, the ritualised baring of the post-psychedelic soul, even the odd Freud-lampooning clap-along".