"Even after prep work by Mayall himself and remastering by engineer Eric Corne, it's an understatement in the liner notes to describe the resulting sound quality as "certainly not high fidelity." ... On this collection of tracks , captured at various British clubs in late winter, spring and early in the summer of love (which kitschy preoccupations are notably absent here), the Godfather of British Blues and his band are almost pure feeling on cuts like "Double Trouble" and standards of the idiom such as "Stormy Monday."".