Don Juan
Wolfgang Amadeus Mozart
Emneord
Minder om
Anmeldelser (21)
Jyllands-posten
d. 15. mar. 2004
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d. 15. mar. 2004
Politiken
d. 6. mar. 2003
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d. 6. mar. 2003
Jyllands-posten
d. 16. dec. 2002
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d. 16. dec. 2002
Jyllands-posten
d. 6. maj 2002
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d. 6. maj 2002
Jyllands-posten
d. 26. mar. 2001
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d. 26. mar. 2001
Politiken
d. 15. sep. 2002
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d. 15. sep. 2002
Jyllands-posten
d. 15. sep. 2009
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John Christiansen
d. 15. sep. 2009
"Joan Sutherland var fantastisk som Donizettis Lucia di Lammermoor ... På indspilningen får hun flot følgeskab af Luciano Pavarotti, Sherrill Milnes og Nicolai Ghiarov, mens ægtemanden Richard Bonynge er en yderst kompetent og alt andet end kedelig dirigent".
Jyllands-posten
d. 6. jan. 2003
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d. 6. jan. 2003
The gramophone classical music guide
2009
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2009
"Sutherland's second commercial recording finds her on great form in one of her signature roles. Pavarotti is a stylish Edgardo and Bonynge is the most sympathetic of conductors".
Operabladet Ascolta
(2009) 28. årgang nr. 3
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Henrik Marcussen
(2009) 28. årgang nr. 3
"En attråværdig og mønstergyldig formidling af Lucia di Lammermoor. Sutherland havde dog som 45-årig ikke den samme ungdommelige friskhed, men var derimod vokset med rollen ... Desuden en ung Pavarotti, der brænder igennem med den herligste voluminøse sølverne renfærdige stemmepragt".
BBC music magazine
2011 October
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Michael Tanner (musikanmelder)
2011 October
"Everything Dessay does is lovely, but there is a lack of the desparation which should pervade the role ... Still, as post-Maria Callas Lucias go, this is one of the best".
BBC music magazine
2015 January
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George Hall (musikanmelder)
2015 January
"Damrau seizes hold of the text and is expressive and imaginative with her vocalism, even if she lacks an ideal richness of tone to quite achieve classic status. She's slightly outgunned by Calleja, whose highly distinctive voice allows him to be ardent and eager; he shapes his lines with firm and sound artistic intentions".
Fono Forum
2015 Januar
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Gerhard Persché
2015 Januar
"Jesús López-Cobos ... führt das aus Instrumentalisten bekannter bayerischer Klangkörper zusammengestelltte Münchner Opernorchester und den Münchner Opernchor ... mit sensibler Routine und legt den Solisten den adäquaten Klangteppich".
Operabladet Ascolta
(2003) 21. årgang nr. 6
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(2003) 21. årgang nr. 6
Operabladet Ascolta
(2001) 20. årgang nr. 2
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(2001) 20. årgang nr. 2
Operabladet Ascolta
(2003) 21. årgang nr. 6
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(2003) 21. årgang nr. 6
Politiken
d. 9 sektion 2. mar. 1999
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d. 9 sektion 2. mar. 1999
Operabladet Ascolta
(2002) 21. årgang nr. 4
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(2002) 21. årgang nr. 4
International record review
2011 September
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Roger Pines
2011 September
"Dessay's perforamnces have always offered ample rewards on CD ... Besides Dessay, there's only on other reason to purchase the Mariinsky recording - Piotr Beczala ... his gleaming, immaculate centred tone and unfailing sincerity of address, stands comparison with any other recorded Edgardo".
International record review
2015 February
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Hugh Canning
2015 February
"Diana Damrau is the Lucia of choice at most of the world's leading opera houses ... I'm not entirely convinced ... She rarely sound at ease in the music ... Indeed Joseph Calleja strikes me as the main reason for wanting to acquire and revisit this set ... López-Cobos ... leads a not always perfectly co-ordinated performance ... I can't disguise my disappointment here".
The gramophone
2015 January
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Mike Ashman
2015 January
"It would be mealy-mouthed to deny the soprano's cool, unflinching note-for-note accuracy. In the Mad scene every high note and every strand of coloratura written or implied ... has been faultlessly planned and rehearsed and is executed likewise ... But our temperatures rarely rise or our pulses beat faster".