You can't go back if there's nothing to go back to
Richmond Fontaine
Emneord
Anmeldelser (2)
AllMusic
2016
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Andy Kellman
2016
"The interplay between all of the instruments is positively acrobatic, including off-kilter time-keeping, wriggling guitars, and plump basslines that seem to twist in place. And, of course, there's Descloux's voice at the center of it all, adding even more life to the material with infectious wide-eyed exuberance".
PopMatters
d. 25. feb. 2016
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Matthew Fiander
d. 25. feb. 2016
"Overall, Mambo Nassau is an odd yet infectious record. It shows its scuffed edges at every turn, yet it has all the defiant, singular energy of Press Color".