Music for megaliths

"Music for Megaliths is a very spiritual album. I get what Von Till was aiming for on this, and he pulled it off. Even the weaker tracks here convey a sense of majesty, of the immensity of the world around us and our relationship to it. As he intones in the album closer "White Horse," "The stones call to me, just as they always have. A gateway to the mysteries and a pathway to the ancestors." Drone isn't for everyone, but Harvestman has created a compelling and interesting piece of art with Music for Megaliths, one that's definitely worth a listen or three".

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"Steve Von Till er efter syv års pause klar med et nyt udspil med sidegesjæften Harvestman. 'Music for Megaliths' er en sansemættende tur tilbage til en præhistorisk tid, hvor man stablede tunge sten oven på hinanden og indåndede morgendisen før solopgang ... Tills anliggende er at beskrive steder og disses stemninger gennem sin atmosfæriske og særegne lyd. En slags elektronisk fortolkning af natur skildret gennem et arsenal af reverb, ekko, distortion og sustain. Det er, som om Harvestman på 'Songs for Megaliths' forsøger at finde og fortolke den lyd, der må eksistere inde i træet eller stenen".

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"Neurosis's Steve von Till's third offering as Harvestman is an experimental nexus within which form, structure and genre are arbitrary and on which he plays a diverse array of instrumentation, from effects-laden electronica to the hurdy gurdy, painstakingly put together at his Idaho home studio ... Music For Megaliths acts as a meditative anchor, reaffirming our increasingly forgotten connection to nature whilst seeking to unlock our untapped potential".

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