"The success of 2002's The Headphone Masterpiece effectively wrote soul singer Cody Chesnutt a blank cheque in terms of creative freedom. For a record to become loved by many, despite being sprawling, deeply eccentric and impossible to second-guess - that's an indication of the chops, charisma and genre-hopping virtuosity it offered.So when the follow-up, 2012's Landing On A Hundred arrived after such a long layoff and proved a very effective but pretty straightforward set steeped in 70s soul, fans would have been forgiven for thinking his rough edges may have been regrettably smoothed off. MLDD feels a bit like he's cutting loose again, following his muse wherever it takes him ... there's a lot of great, interesting stuff here but the listener will have to indulge him to get to it. If you're a fan that's no problem, the more causal listener may need convincing".