Wunderhorn-Lieder
Gustav Mahler
Arrangementer til Wienerskolen, specielt til Verein für musikalische Privataufführungen.
Beskrivelse
Anmeldelser (18)
AllMusic
2011
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Blair Sanderson
2011
"Tilson Thomas is completely at home in Mahler's oeuvre, so there really is no discernable difference in the way he handles the orchestra in the songs or the symphonies, and admirers of his work will be impressed with his control and clarity. Graham and Hampson are among the most accomplished singers going, and their warmth and melodic smoothness are wholly appropriate to the gentleness and longing of Mahler's songs".
The guardian
d. 5. sep. 2013
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Andrew Clements (musikanmelder)
d. 5. sep. 2013
"Admirers of Gerhaher's lieder singing won't need any encouragement to listen to this disc. They'll marvel once again at the astonishing range of colour and inflection he applies to every phrase ... Nagano provides perfectly manicured accompaniments, too".
MusicWeb international
2007 September
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Göran Forsling (f. 1942)
2007 September
"Thomas Quasthoff may sing them differently today but even at this early stage in his career he had so much insight and his voice had the scope to express what he wanted with the utmost accuracy. Old favourites are still valid but I have definitely added this new favourite to my Mahler collection. I have only two grumbles: there are no texts and translations, which should be a must for such penetrating songs, and I wonder if it wouldn't have been wiser to present the music in a different orde".
MusicWeb international
2013 October
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Ralph Moore (musikanmelder)
2013 October
"Gerhaher has a light, faintly nasal baritone typical of more recent German vocal tradition; he enunciates words carefully but there is almost no variety of tone or attempt to colour the sound; the effect for me is soporific rather than mesmeric ... Nagano's accompaniment is sensitive and supportive".
Politiken
d. 9. sep. 2008
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Ursula Andkjær Olsen
d. 9. sep. 2008
Jyllands-posten
d. 30. sep. 2013
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Jens Povlsen
d. 30. sep. 2013
"Tekstudtalen og tekstforståelsen sidder lige i skabet hos den tyske baryton Christian Gerhaher, der viser sine virtuose evner på en ny cd med orkestersange af Mahler ... Nagano og Gerhaher er på bølgelængde og undgår med skønheden langt fremme i stavelserne at reducere indsatsen til tristessejageri".
Kristeligt dagblad
d. 17. dec. 2008
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Mikael Garnæs
d. 17. dec. 2008
Jyllands-posten
d. 3. jan. 2005
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d. 3. jan. 2005
Berlingske tidende
d. 8. feb. 2005
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d. 8. feb. 2005
Politiken
d. 24. feb. 2005
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d. 24. feb. 2005
Fono Forum
2011 April
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Peter T. Köster
2011 April
"Michael Tilson Thomas erweist sich als sensibler Begleiter, der im Gegensatz zu Bernsteins existentieller Betroffenheit immer eine gewisse Distanz wahrt und orchestrale Akzente sparsam und genau kalkuliert setzt, wobei sein Elite-Orchester aus San Francisco ein Höchstmass an Klangkultur bietet".
Fono Forum
2013 November
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Marco Frei
2013 November
"Mit seinem sonoren, klaren Bariton ist Christian Gerhaher stets ein Garant für stilsichere, konzise Exegese. In Gerhahers Mahler gähnt nirgends hohle Sentimentalität oder Larmoyanz, und Kent Nagano schärft ungeahnte Details im Orchester".
Diapason
2013 octobre
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Jean-Philippe Grosperrin
2013 octobre
Jyllands-posten
d. 16. mar. 1999
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d. 16. mar. 1999
Weekendavisen
d. 8. juni 2001
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d. 8. juni 2001
Politiken
d. 2. juli 2000
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d. 2. juli 2000
High fidelity (Kbh.)
Årg. 38, nr. 3 (2005)
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Årg. 38, nr. 3 (2005)
Kristeligt dagblad
d. 19. jan. 2005
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d. 19. jan. 2005