To pimp a butterfly
Kendrick Lamar
Emneord
Minder om
A clear midnight : Kurt Weill and America
Julia Hülsmann
Origami harvest
Ambrose Akinmusire
The age of pleasure
Janelle Monaé
30 seconds to the decline of planet earth
Jesu/Sun Kil Moon
Polyester skin
Jacob Bellens
New York stories
Judy Niemack
New Orleans funk, vol. 3 : New Orleans - the original sound of funk : two-way-pocky-way, gumbo ya-ya & the Mardi Gras mambo
HITnRUN phase one
Prince
The Sting variations
Tierney Sutton
Anmeldelser (2)
AllMusic
2017
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Matt Collar
2017
"On his fourth studio effort and first for Blue Note Records, 2017's Parking Lot Symphony, New Orleans singer, songwriter, and brass wizard Troy Andrews (aka Trombone Shorty) fully embraces the organic '70s-style R&B he's heretofore only touched on ... Ultimately, Parking Lot Symphony is one of Trombone Shorty's most balanced productions, equal parts New Orleans R&B sophistication and loose, block party fun".
The guardian
d. 27. apr. 2017
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John Lewis
d. 27. apr. 2017
"His debut for Blue Note sees the venerable label throwing everything at him in the hope that something sticks. But the horny retro soul of No Good Time and It Ain't No Use sound antiseptic when they should be down and dirty; the R&B slugging on Familiar falls a little flat; while a version of Here Come the Girls works only because it's a note-for-note copy of the Allen Toussaint/Ernie K Doe original. However, the title track is a fine piece of EWF-style symphonic soul; Dirty Water chugs along pleasantly; and the two Laveau Dirges that bookend the album are spine-tingling evocations of his home town's extraordinary musical history".