"Continuing his survey of the Mozart concertos with his regular collaborators, the Freiburger Barockorchester, Kristian Bezuidenhout ... offers a marvellously expressive account, He creates an effortlessly flexible canvas that has the space to breathe, while drawing out the music's often conversational character with warmth, humour and grace ... The fortepiano balances effortlessly with the period instruments, which are expertly wielded".