""Seedlings All" is the follow-up to "Overnight", the lauded 2016 breakthrough that wasn't. Clarke is a fine singer. Sandy Denny is clearly an influence, notably on "All Is Myth", and Clarke's traditional folk roots are evident throughout in her clearly annunciated, tightly wound voice. But then there is the light-fingered after-hours jazz, à la Norah Jones, of "Tender Heart" or the complicated construction of "Ghost Light". Clarke's writing is heartfelt, vulnerable, melancholic, expressive, her stark reflection on motherhood, "Maybe I Won't", a case in point. Equally, however, there is something resilient, ambitious, undaunted about her and her work: she spices up the obvious with the daring. Ben Walker adds the thoughtful musical touches that shape the songs, such as the signature guitar in the shimmering Janice Ian-ish "Bathed in Light"".