Mala
Devendra Banhart
Emneord
Minder om
Blood lust
Uncle Acid & the Deadbeats
Something shines
Laetitia Sadier
Out of all this blue
The Waterboys
We are the 21st century ambassadors of peace & magic
Foxygen
Dream river
Bill Callahan
Oh yes we can love : a history of glam rock
Another day, another time : celebrating the music of "Inside Llewyn Davis"
Mirage rock
Band of Horses
The magical world of The Strands
Michael Head
Anmeldelser (2)
AllMusic
2012
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Heather Phares
2012
"Her protests may be cerebral instead of fiery, but the passion behind them is unmistakable; indeed, Silencio's righteous anger is sometimes a more immediate hook than the subtle music surrounding it. While there is a definite lounge-pop feel to these songs, the tenor is understandably more serious and sophisticated, stripped of much of the musical irony that Stereolab played with as deftly as any Moog".
BBC music
d. 18. juli 2012
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Garry Mulholland
d. 18. juli 2012
"The tone is established by opening track The Rules of the Game, which uses Jean Renoir's classic 1939 movie La Règle Du Jeu as a jumping off point for a discourse on how the decadence of the ruling classes creates the conditions for fascism. The sensual, summery, gently brassy gorgeousness of the music and the Gauloises cool of Sadier's voice mean that, if you so choose, you can tune out of the lyrics and use it as the most sure-fire seduction soundtrack this side of Let's Get It On".