Paranoid
Black Sabbath
Emneord
Minder om
Dubcatcher
DJ Vadim
Things have changed
Bettye LaVette
True meanings
Paul Weller
Odessey and oracle
The Zombies (England)
Studio One dancehall : Sir Coxsone in the dance - the foundation sound
Before the dawn
Kate Bush
Psychedelic country soul
The Long Ryders
Studio One ironsides : original classic recordings 1963-1979
Lion rampant
Wilson & Swarbrick
Anmeldelser (2)
Gaffa [online]
d. 25. mar. 2017
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Henrik Bæk
d. 25. mar. 2017
"På opsamlingsalbummet Sly & Robbie Present Taxi Gang Discomix Style 1978 - 1987 viser Sly & Robbie præcis, hvor meget de har adapted fra reggaerødderne, amerikansk rhythm 'n' blues, disco og soul. Albummet byder på otte sublime versioner af nutidige og vintage soulsange, der alle er tidløse. Blandt disse er Little Willie Johns Fever, Al Wilsons Show & Tell, Tony Joe Whites Rainy Night In Georgia, The Delfonics Do Not Break Your Promise, The Impressions You Must Believe Me, The Spinners' Could It Be I'm Falling in Love og et par eminente reggaefortolkninger af Marvin Gayes Sexual Healing og Inner City Blues. Alle sunget med sjælden indlevelse af reggaesangere som Jimmy Riley, Ken Boothe, Tinga Stewart, Junior Tamlins Moore, Marcia Griffiths og Delroy Wilson. Samtlige numre er i såkaldte extended versions og er mellem 7-11 minutter lange med en samlet spilletid på i alt 68 minutter, hvor Sly & Robbie til fulde kan nydes med deres kendte tilbagelænede og tæt synkoperede stil,derer så unik for makkerparret og som gennem årene er blevet deres varemærke".
goldminemag.com
d. 8. mar. 2017
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Dave Thompson
d. 8. mar. 2017
"There are no words for how magnificent this collection is - eight solid Taxi discomixes that dig into the studio's late seventies fascination with American soul and disco, spreading out across "Fever" (Marcia Griffiths), "Break Your Promise" (Barry Biggs), "Show and Tell" (Ken Boothe),"Could It Be I'm Falling in Love" (Home T-Y) and "Inner City Blues" (Delroy Wilson) ... So titles and artists alone let you know what you're in for, and with "Rainy Night," at a mere 6.54, the shortest track in sight, you can imagine the rest. Or feel it in the pit of your stomach.Pick of the bunch is probably "Sexual Healing," Jimmy Riley's ever-sweet vocal flowing across the rhythm track, before the rhythmatists themselves take control, a solid four minutes that strip the earlier lushness to its root and then rebuild from the echo-chamber up".