Squeeze

"Squeeze holds Korn, Disturbed, and System of a Down in one hand; Sheryl Crow, Faith Hill, and Shania Twain in the other ... Squeeze toggles between a wide-open open sky and a cramped basement ceiling, threading the same desire through both scenes. Below ground, the body mingles with other bodies, rendered indistinct in the crush of a mosh pi".

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"... it's hard to see why most of this album exists beyond letting Ashworth explore and re-create two kinds of music she obviously loves to distraction. Whether anyone should follow along on her quest is up to their tolerance for soft rock platitudes and hard rock clichés".

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"A mix of abrasion and delicacy inform Squeeze, thus demonstrating Ashworth's incredible musical talents, which deserve considerably more widespread recognition. Despite each track standing incredibly strong on its own, it sometimes feels as though Ashworth is taking on more than the album can handle. A more decisive sound and Squeeze could be one of the best albums of the year, however, Ashworth's indecision pulls the listener from one emotion to the next without ample time for digestion".

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