YRU still here?
Ceramic Dog
Emneord
Minder om
Airs and graces
June Tabor
It shall be - the Ode & Epic recordings 1968-1972
Spirit
Hvalvær
Ole Berthelsen (f. 1951)
Det' altid nu!
Holtsø & Wittrock
4
The Trouble Cats
An introduction to Eliza Carthy
Eliza Carthy
The Roxy performances
Frank Zappa
British blues explosion live
Joe Bonamassa
Through wind and rain
Cathie Ryan
Anmeldelser (4)
Pitchfork
d. 14. apr. 2018
af
af
Stephen M. Deusner
d. 14. apr. 2018
"These folklorists and singers take an audacious step forward on album three, subtly pushing at what folk music sounds like and what it can do".
PopMatters
d. 28. mar. 2018
af
af
Michael Davis
d. 28. mar. 2018
"Roberts-Gevalt and LaPrelle share an insatiable hunger to find little wonders of folk music past. They've scoured various collections of old-time recordings and historical documents to mine for objects of inspiration. The songs of The Invisible Comes to Us were adapted from treasures they came across at archives like the Blue Ridge Institute at Virginia's Ferrum College and the Helen Hartness Flanders Collection at Vermont's Middlebury College ... Kudos to Smithsonian Folkways Recordings for signing this act. The label -- linked to the federal Smithsonian Institution -- mostly repackages older songs from American and world music traditionalists. It's encouraging - that the outfit has embraced a pair that is embracing the past while darting fully forward into an uncertain sonic future. The Invisible Comes to Us makes that ever so clear".
Roots zone
d. 9. aug. 2018
af
af
Claus Hellgren Larsen
d. 9. aug. 2018
"Trods den minimalistiske fremførelse er Anna og Elisabeth blevet efterspurgte musikere også til større koncerter og festivaler. De fleste af disse optrædener er som duo, hvor de spiller guitar og eventuelt banjo eller synger a cappella. De forsøger derved at genskabe den intimstemning omkring fortællingerne og sangene, som de har fået overleveret. På deres pladeindspilninger har de imidlertid tilføjet ekstra instrumenter og gæstemusikere - nogle gange med stort held".
fRoots
2018 Spring
af
af
Steve Hunt
2018 Spring
"Anna's enthusiastic integration into New York's experimental and improvised music community has clearly been a liberating experience. Always a highly accomplished musician, here she and co-producer Benjamin Lazar Davis subtly wreathe the songs in lovingly-crafted and surprising soundscapes. Elizabeth's still that extraordinary traditional singer who first bedazzled us with "Rain And Snow" back in 2004, but her willingness to explore these old song texts within a new, contemporary context has resulted in performances in which she sounds somehow even more authentically connected to her material. This time it's personal".