"Shaped by David Thomas' belief that a song is at its best the first time it is played, the album's pieces were performed by the band only once while recording ... Though Trouble...'s songs feel connected more by their execution than their themes, the record's underlying threads are also compelling. Pere Ubu's folk, jazz, and blues influences are more prominent than they've been in quite a while, whether in the collision of bluegrassy harmonies and taut drums and guitars on "Moss Covered Boondoggle" or the dangerously romantic fusion of punk and jazz on "Love Is Like Gravity" ... Given the nature of its creative process, Trouble on Big Beat Street sometimes meanders, and not all of its detours are rewarding. Nevertheless, this is some of Pere Ubu's most rawly experimental music in some time; for fans who want to feel like they're listening in on the band working out these songs instead of being presented a perfected product, there's a lot to love".