Violence

"The Editors have always been good at evincing the sound of their idols, and 2018's grandiose, pop-infused Violence is no exception. The difference this time out is that rather than just digging deeper into a vintage '80s post-punk style a la Joy Division, here they've broadened the template, weaving in bits of early-2000s David Bowie ("Violence"), and Achtung Baby-era U2 ("Hallelujah [So Low]"). Of course, with swaggeringly moody vocalist Tom Smith at the helm, all of these tracks still sound like the Editors ... With Violence, the Editors have crafted a big pop album on their own terms, rife with grand, operatic gestures and heat-seeking hooks that cut deep, just as they put salve on your wounds".

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"Editors have never managed to escape the curse of comparisons that has plagued them since their 2005 debut earned them the nickname "Boy Division". After a mid-career foray into Coldplay-worthy platitudes, the five-piece lighten up on album six, embracing the imperious camp of Depeche Mode, with assistance from producers Leo Abrahams and Fuck Buttons' Benjamin John Power. With a bit more razzle-dazzle, Cold, Nothingness and Darkness at the Door could be genuine goth-pop bangers à la Chvrches - brawny, hooky and tinged with the feeling that was lacking on Editors' emotionally desolate earlier records".

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