Symphonies nos. 4 & 5
Carl Nielsen (f. 1865)
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Musik / electronica
Symphonies nos. 4 & 5
Carl Nielsen (f. 1865)
Four four three
Terry Riley (f. 1935)
All melody
Nils Frahm
Dancechart, volume 41
More summer 2016 : sommerens største hits
Sleep
Max Richter
Rothko Chapel
Morton Feldman
A shadow in time
William Basinski
Concertos pour piano : nos. 20 & 23
Wolfgang Amadeus Mozart
Hvem drømmer hvem
Lasse & Mathilde
d. 12. apr. 2021
af
af
Killian Laher
d. 12. apr. 2021
"Max Richter's second album under the Voices banner emerges, less than 12 months after the first. While the original was more an achievement to admire than really immerse in, Voices 2 is a much more restful, almost ambient affair. The opening track Psychogeography is gloriously subtle, at times barely there at all, taking its time to unfurl over nearly seven engaging minutes. Further into the album, Colour Wheel strikes a similar, ambient note. Mirrors is the opposite, a brief slice of moody piano. There are some actual voices of the wordless variety in the shape of the choir of sopranos on the cinematic Follower ... There's time also for a solo piano versions of Origins and Mercy Duet, two of the highlights of last year's collection. For those familiar with the first 'Voices' album, this has echoes of its predecessor. Though somehow he has turned it into something new, and it's much more digestible than the sometimes unwieldy predecessor. For those unfamiliar with Richter this is not a bad place to start, and the committed won't be disappointed either".
d. 12. apr. 2021
af
af
Killian Laher
d. 12. apr. 2021
"Max Richter's second album under the Voices banner emerges, less than 12 months after the first. While the original was more an achievement to admire than really immerse in, Voices 2 is a much more restful, almost ambient affair. The opening track Psychogeography is gloriously subtle, at times barely there at all, taking its time to unfurl over nearly seven engaging minutes. Further into the album, Colour Wheel strikes a similar, ambient note. Mirrors is the opposite, a brief slice of moody piano. There are some actual voices of the wordless variety in the shape of the choir of sopranos on the cinematic Follower ... There's time also for a solo piano versions of Origins and Mercy Duet, two of the highlights of last year's collection. For those familiar with the first 'Voices' album, this has echoes of its predecessor. Though somehow he has turned it into something new, and it's much more digestible than the sometimes unwieldy predecessor. For those unfamiliar with Richter this is not a bad place to start, and the committed won't be disappointed either".
2021 August
af
af
Tilman Urbach
2021 August
"Es ist eine eigene tiefe Sehnsucht nach Ruhe, nach Innehalten, die unsere Zeit auszeichnet. Und vielleicht macht dies den Erfolg einer Musik aus, die sich in ihrer Einfachheit ungeniert ausstellt wie die von Max Richter ... Er steht für eine Musik ein, die sich nicht an komplexen Kompositionskonzepten delektiert, sondern ganz simpel Schönheit transportieren will. So bietet "Voices 2" eine monumentale Streicher-Kulisse auf; dazu kommt ein Chor weiblicher Stimmen".
2021 August
af
af
Tilman Urbach
2021 August
"Es ist eine eigene tiefe Sehnsucht nach Ruhe, nach Innehalten, die unsere Zeit auszeichnet. Und vielleicht macht dies den Erfolg einer Musik aus, die sich in ihrer Einfachheit ungeniert ausstellt wie die von Max Richter ... Er steht für eine Musik ein, die sich nicht an komplexen Kompositionskonzepten delektiert, sondern ganz simpel Schönheit transportieren will. So bietet "Voices 2" eine monumentale Streicher-Kulisse auf; dazu kommt ein Chor weiblicher Stimmen".