"We're still waiting to hear Hans Zimmer's 007 score, and in the meantime his latest superhero effort has taken its bow in the shape of Wonder Woman 1984. Zimmer takes the reins from Rupert Gregson-Williams, who scored the first film in the franchise, and in doing so ups the ante. This generous 90-minute presentation is quite the rush, as Zimmer delivers what is probably one of his best-ever takes on the genre. The emphasis on big melodies, orchestra and choir feels like a knowing throwback to the scores of the era in which the story is set".
