"A brawny union of mountain folk and country-rock that takes the antagonist's point of view, the inverted murder ballad "Mississippi," co-written with Carlile, impresses as well, but it's the album's quieter moments that land the biggest punches. "To All the Girls Who Cry" and "Flee as a Bird," the former a swooning sonic hug that sounds like Patsy Cline and Mary Ford re-imagining Ricky Nelson's "Lonesome Town," and the latter an unvarnished rendition of South Carolina poet Mary S. B. Shindler's beautiful hymn, feel both otherworldly and familiar, like setting eyes on the first firefly of summer. However rooted in the past they may sound, the Secret Sisters ultimately connect on such an intimate level that they render any measure of time extraneous".