Verdi
Giuseppe Verdi
Keywords
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Reviews (7)
Klassisk
2012, nr. 26
By
By
Andrew Mellor
2012, nr. 26
"Han har samlet et virkelig fascinerende program ... Desværre bringer Schrott kun nogle få af dem til live ... I alt for mange af hans præstationer savner man lidt mere vokalfarvning og variation ... En enestående performer på en operascene, og han er bedre oplevet dér end her".
Kristeligt dagblad
d. 20. June 2012
By
By
Peter Dürrfeld
d. 20. June 2012
"Et repertoire, der spænder temmelig vidt, men dog har en markant fællesnævner: skurkerollen. Schrott giver den i forskellige utiltalende skikkelser ... Schrott har en flot og myndig baryton, men netop rollen som Scarpia har jeg hørt mere gruopvækkende fremstillet. Den største anke er dog hans vibrato, der visse steder føles generende kort ... Det skal medgives, at problematikken omkring vibrato er omdiskuteret, smag og behag er jo forskellig".
Weekendavisen
d. 22. June 2012
By
By
Peter Johannes Erichsen
d. 22. June 2012
"Den uruguyanske baryton Erwin Schrott ... er værd at lytte til. Schrott er malmfuld og helhjertet ond - men det forsonende træk ved mørke mandsstemmer må alligevel få os til at erkende, at det ondeste i operaer er onde tenorer ... Schrott murer en aldeles formidabel Scarpia op, i kapsang med det messende kors henrykkelser. Med rette sat sidst på Schrotts CD fra Sony".
Diapason
2012 juillet-août
By
By
Michel Parouty
2012 juillet-août
BBC music magazine
2012 September
By
By
Michael Tanner (musikanmelder)
2012 September
"Erwin Schrott is that rare phenomenon: the heart-throb bass-baritone ... He has a superb voice which he uses intelligently and sensitively ... This disc exploits his versatility, though it doesn't include Mozart, whose music Schrott made his name singing ... Despite the acoustic, this cd is well worth listening to".
International record review
2012 September
By
By
Hugh Canning
2012 September
"On disc, his pleasing lyric bass is a good fit for the characters he plays ... Schrott is lucky to have such a vital conductor ... as the talented young Daniele Rustioni, who makes his and the band's presence felt without upstaging the nominal star singer - one of the most plausible champions of this repertoire in today's opera firmament".
The gramophone
2012 October
By
By
David Patrick Stearns
2012 October
"Singers of Erwin Schrott's charisma are the necessary lifeblood of the opera stage. But on aria collections such as this, you realise just how narrow his vocal comfort zone is ... Hearing him resort to the same sorts of vocal effects every three or four minutes feels inauthentic ... Declamatory passages go well for Schrott ... Credible conducting by Daniele Rustioni".