Music / andre koncerter

Complete wind concertos & serenades


Reviews (37)


AllMusic

2010

By

By

Blair Sanderson

2010

"Classical repertoire need not be played on original 18th century instruments to sound appropriate to its era, as this marvelously musical recording from Harmonia Mundi amply demonstrates ... Manasse and Schwarz are clearly aware of period practice and deliver the concertos with the elegance and warmth that is associated with late Classicism, yet hold back from any forceful exertions that might suggest early Romanticism".


DR musik

2013 uge 52

By

By

Malene Wichmann

2013 uge 52

"Vurdering: Ugens cd" - "Højdepunktet på udgivelsen er og bliver klarinetkoncerten ... I denne indspilning leder Martin Fröst orkestret fra solistpladsen, og det gør han selvfølgelig godt. Han er i ét med sine medspillere lige meget om han danser eller står på rulleskøjter imens han spiller, og at fungere som dirigent kan han naturligvis også".


The Sunday times

d. 28. Apr. 2013

By

By

Hugh Canning

d. 28. Apr. 2013

"This is playing that would surely have appeased Mozart's stated aversion to the flute ... [In the Clarinet Concerto] Carbonaress immaculate technique, mellifluous tone and aristocratic musical instincts ... are given instinctive support by Abbado and his players. This is Olympian Mozart, a pleasure to hear from first to last".


Politiken

d. 9. May 2006

By

By

Thomas Michelsen

d. 9. May 2006

"Johnson har styr på orkestret, men er selv for ivrig ja, nærmest hidsig i sin koncertfortolkning".


Politiken

d. 4. Jan. 2014

By

By

Henrik Friis (f. 1978)

d. 4. Jan. 2014

"Også denne gang leverer Fröst og hans venner en engageret og nærværende omgang klassisk med alle de variationer i klang og karakter, man kan ønske sig. Både solokoncerten, hvor Fröst lister sig smukt rundt om de mange liflige temaer med en klarinettone med rigelige nuancer af blød. Men også de to kammerværker ... viser manden fra hans bedste side med et imponerende overskud til både at styre klarinetten ensartet og rent igennem, men også at lade energien skinne igennem i heftige løb".


Jyllands-posten

d. 5. Nov. 2003

By

d. 5. Nov. 2003


Jyllands-posten

d. 15. Feb. 2006

By

By

John Christiansen

d. 15. Feb. 2006

"Selvfølgelig kan hun spille klarinet, men hun smager meget på sit instrument uden at finde en præcis klanglig balance".


Kristeligt dagblad

d. 15. Feb. 2006

By

By

Bernhard Lewkovitch

d. 15. Feb. 2006

"En mester på klarinet".


Diapason

2016 mai

By

By

Gérard Condé

2016 mai


Fono Forum

2016 März

By

By

Holger Arnold

2016 März

"CD des Monats: Es sind gewissermassen Sinfonien mit obligater Klarinette - wenn sie denn entsprechend gespielt wird. Das ist genua der Punkt, in dem sich die Interpretationen von Jürg Widmann und Peter Ruzicka deutlich vom üppig besetzten Feld der Konkurrenzaufnahmen absetzen ... Alles, was sonst noch in seinem Instrument steckt, demonstriert Widmann in seinen eigenen drei "Schattentänzen" für Klarinette solo höchst effektvoll".


BBC music magazine

2016 May

By

By

Max Loppert

2016 May

"Widman employs a conventional clarinet, not the low-note-rich basset clarinet generally favoured nowadays, and the dreamy quality of the interpretation ... extremely beautiful in its way, tends to iron out contrasts ".


BBC music magazine

2005 September

By

By

Anthony Burton

2005 September

"Her playing is fluent, with beautifully controlled soft passages; but ... there's a discrepancy between the RPO's neat phrasing and her more expansive, legato approach".


Fono Forum

2011 Oktober

By

By

Holger Arnold

2011 Oktober

"Vurdering: Empfehlung des Monats" - "Abgesehen davon, dass sie es brillant versteht, die erweiterten Möglichkeiten in Szene zu setzen, gelangen ihr faszinierende Interpretationen im Spannungsfeld zwischen inniger Musikalität und zupackendem Temperament".


BBC music magazine

2012 January

By

By

Anthony Burton

2012 January

"In general her playing is smooth, notably pure in tone, and very beautiful. In the concerto, she blends well with an orchestra of modest size and similarly refined sound ... In the quintet there's again an excellent sense of teamwork and integration, above all in the sublime slow movement with muted strings ... If beauty of sound is what you value most in late Mozart, then you'll certainly find no shortage of it on this recording".


BBC music magazine

2014 February

By

By

Anthony Burton

2014 February

"Martin Fröst's approach to Mozart's masterly Concerto is nothing if not stylish ... It's all precise and precious ... but I miss the sheer joy in music-making ... For the couplings, Fröst is joined ... in an equally well finished performance of the wonderful Kegelstatt Trio ... A fascinating conclusion to an immaculately played and beautifully recorded disc".


Diapason

2013 novembre

By

By

Jean-Luc Macia

2013 novembre

"Ces moments de grâce nous valent un des meilleurs 'Kegelstatt' du Catalogue, au coeur d'un bien beau disque Mozart".


BBC music magazine

2013 September

By

By

Anthony Burton

2013 September

"Carbonare plays the late Clarinet Concerto with pleasingly soft-grained tone and some well-conceived ornamentation ... Zoon produces an equally mellifluous tone in his accomplished performance of the earlier Second Flute Concerto ... The Abbado disc nearly represents the state of the art of modern-instrument Mozart performance and recording".


Diapason

2013 mai

By

By

Jean Cabourg

2013 mai


BBC music magazine

2006 March

By

By

Anthony Burton

2006 March

"This new addition to the huge list of recordings of Mozart's late Clarinet Concerto is very fine. The Finnish clarinettist Kari Kriikku gives a preformance which is light and nimble but never flashy, with subtly shaded dynamics adding depth of expression ... Neat orchestral support, impeccable recording".


Berlingske tidende

d. 25. Oct. 2003

By

d. 25. Oct. 2003


The gramophone

2010 July

By

By

Edward Gerenfirld

2010 July

"Altogether a disc to recommend to those who still prefer a traditional approach in this music".


The gramophone

2016 March

By

By

Mark Pullinger

2016 March

"This is quite an old-fashioned account, played on a normal A-clarinet rather than on the basset clarinet ... Widmann works his way around ... but his tone colour is a little vanilla and lacks character ... The Deutsches Symphonie-Orchester Berlin offer weighty backing, the horns making their presence felt. Weber's clarinet concerto no. 1 makes an effective partner".


The gramophone

2005 Awards Issue

By

By

Richard Wigmore

2005 Awards Issue

"Emma Johnson returns to Mozart with mixed results ... Intonation sometimes veers too much on the flat side of the note for comfort. More serious provisos are the routine ... We get a star and a backing group rather than true democratic interplay. Again, there is plenty to admire in Johnson's performance".


International record review

2006 February

By

By

Piers Burton-Page

2006 February

"Jack Brymer's classic versions of K622 and K581 regularly top all polls ... Johnson now adopts the basset instrument, with pleasing if unexceptional results. The concerto is admirably trim ... The acid test, of course, is the slow movement, and somehow it just fails to move me".


International record review

2012 January

By

By

Carl Rosman

2012 January

"In all, apart from small reservations, this is a most satisfying release in the "historically informed" school of modern-instrument performance".


The gramophone

2011 December

By

By

Edward Greenfield

2011 December

"Sharon Kam is a clarinettist with an exceptionally wide expressive range ... Altogether a brilliantly succesfull disc of this very desirable coupling, very well recorded".


Diapason

2011 novembre

By

By

Jean Cabourg

2011 novembre

"Vurdering: Diapason d'or" - "Cette artiste de haut vol trouve de fait dans l'instrument de Stadler un accomplissement idéal ... Par son couplage et sa qualité, ce programme Mozart, modèle d'équilibre entre retour aux sources et générosité lyrique, se hisse au tour premier rang, et rejoint pour le seul concerto, la référence Sabine Meyer".


The gramophone

2013 December

By

By

Richard Wigmore

2013 December

"With his smooth, liquid tone, Fröst is always sensitive to the music's melancholy undertow, bending the pulse in response to shadowing of the harmony. His discreet added embellishments and inventive 'leads-in' always sound spontaneous ... Fröst's poetic ... playing, sympathetically partnered, ranks with the best".


Klassisk

2013, nr. 31

By

By

Per Rask Madsen

2013, nr. 31

"Martin Fröst skuffer aldrig og heller ikke på sin indspilning nummer to af Mozarts Klarinetkoncert, ti år efter hans første bud ... Han tryller med sin bassetklarinet. Det er verdensklasse".


The gramophone

2013 August

By

By

Richard Wigmore

2013 August

"Carbonare produces a rounded, velvety tone, phrases immaculately and ornaments tastefully ... [Zoon's] liquid tone and graceful phrasing and, crucially, sense of puckish mischief - not least in his cadenzas - made this, for me, the most wholly satisfying performance on the disc".


International record review

2013 July/August

By

By

Stephen Pruslin

2013 July/August

"This is one of those recordings the hearing of which makes one feel glad to be alive".


High fidelity (Kbh.)

Årg. 37, nr. 3 (2004)

By

Årg. 37, nr. 3 (2004)


High fidelity (Kbh.)

Årg. 41, nr. 4 (2008)

By

By

Mogens Wenzel Andreasen

Årg. 41, nr. 4 (2008)


High fidelity

1999 2

By

1999 2


The gramophone

2006 May

By

By

Richard Wigmore

2006 May

"Kari Kriikku has made his name primarily as a virtuoso champion of contemporary music ... On this new disc his artistry is just as memorable in the classical repertoire ... His basic tone is light and fluid, his articulation and dynamics inventively varied".



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