Concerti grossi

"These are elements of real character which keep everything alive and filled with novelty, without becoming wearingly mannered. All in all this is the kind of release which can solve all your Corelli Op. 6 problems in one go, and I for one don't feel the need to seek much further to have the best from this music".

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"Editors choices - December 2018: Great fun, this: inspired by evidence that Corelli himself was partial to upscaling his concerti grossi (originally scored for strings-only) when resources and circumstances permitted, Gottfried von der Goltz introduces trombones, bassoons, oboes, harp, and (most thrillingly, as in the finale of the first concerto) trumpets into the mix. It could sound over-weighted and anachronistic, but von der Goltz is too assured a baroque stylist for that - everything dances, and there's never the slightest sense of gilding the lily".

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"Beznosiuk plays with enormous affinity and charm, his fluent and imaginative ornamentation always within the bounds of the pulse and good taste. Having chosen not to ornament the repeats slavishly, he retains the power to surprise and delight us even to the last sonata ... This is an immensely enjoyable release".

"From the first bars of the First Concerto in D, the Avison Ensemble sets its unique seal ong the performance ... a very impressive pair of discs".

"Vurdering: Editor's choice" - "Entirely devoid of contrived preciousness or formulaic complacency, this is simply magnificent".

"What impresses here is not so much the sheer virtuosity of the performances - although they are certainly not lacking in that - as the elegant assuredness of the interpretations ... An extremely succesful set of performances".

"Vurdering: Diapason d'or".