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Reviews (3)
The Irish times
d. 2. Mar. 2017
By
By
Lauren Murphy
d. 2. Mar. 2017
"The Aussie trio take themselves a little too seriously at times, as heard on L'Heure des Sorcieres and Ubu, but beneath the veil of pretension are some good songs ... It sounds as if Methyl Ethel are still figuring out who they are, but their ongoing investigation is reasonably enjoyable".
AllMusic
2017
By
By
Bekki Bemrose
2017
"... there is much to be enjoyed on Everything Is Forgotten, but the elegant lightness of touch on their debut has all but disappeared. The potential is clearly still there, but next time they'll really need to embrace and explore it to their full ability if they are to make their mark".
PopMatters
d. 16. Mar. 2017
By
By
Dustin Ragucos
d. 16. Mar. 2017
"Bands like Christine and the Queens and Mother Mother have attempted the same swagger-filled beats that Methyl Ethel have tried on Everything Is Forgotten, and each has successfully made a jam-worthy song. However, within the genre of indie, the same swagger groove tends to be artificial, and the same soul-searching loses its way amongst the noise".