""Everything's Beautiful" isn't quite a tribute or a remix project. It's not a collaboration between Miles Davis and Robert Glasper, as it is billed. On the surface, from a stylistic standpoint and in terms of personnel, it is closer to a sequel to "Black Radio Recovered". Predominantly relaxed and rather ethereal, richly layered yet not quite psychedelic, and rhythmically hip-hop more than anything else, the two releases feature much of the same production and vocal lineup ... Bill Evans' piano from "Blue in Green," as heard on 9th Wonder and Phonte's "Violets," and Davis' trumpet from "Maiysha," are among the more familiar elements. The latter arrives during Erykah Badu's bossa nova vocalese version of the same-titled song, one of the album's most creative moments".