Responsoria, 1611
Carlo Gesualdo
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Reviews (7)
Berlingske tidende
d. 10. May 2005
By
d. 10. May 2005
Jyllands-posten
d. 27. Apr. 2005
By
d. 27. Apr. 2005
Fono Forum
2021 März
By
By
Susanne Benda
2021 März
"Die feinen Farben des Orchestersatzes, die instrumentale Zeichnung der wechselnden Gefühlslagen und Atmosphären ... macht die Accademia Bizzantina sehr gut hörbar. Das ganz grosse Theater überlässt Ottavio Dantone allderings gerne den Solisten, denn unter ihnen sind exzellente Sängerdarsteller ... Insgesamt ist die Aufnahme ein lohnender Beitrag (Vol. 65) zur verdienstvollen Vivaldi-Edition des Labels Naïve".
Diapason
2020 novembre
By
By
Roger-Claude Travers
2020 novembre
BBC music magazine
2020 Christmas
By
By
Christopher Cook (musikanmelder)
2020 Christmas
"It is impossible to be certain how much of Il Tamerlano was actually composed by Antonio Vivaldi ... And yet this musical collage sounds unmistakeably Vivaldian ... If the countertenor Filippo Mineccia's Tamerlano with a thrilling drop into the chest register is primus inter pares, then Sophie Rennert as Irene his rejected bride and Delphine Galou's Asteria match him ... Dantone directs the Accademia Bizantina through three acts of unalloyed delight".
The gramophone
2020 November
By
By
David Vickers
2020 November
"Accademia Bizantina play crisply in the Sinfonia, and Ottavio Dantone nurtures versatile textures in the diverse arias. Filippo Mineccia's quick precision characterises Tamerlano's imperious authority ... Galou's fluency and soulfulness are well-suited to Asteria's emotional conflict ... Accademia Bizantina's immersive interpretation is a compelling advocacy for the patchwork opera's merits".
Operabladet Ascolta
(2005) 23. årgang nr. 8
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(2005) 23. årgang nr. 8