Responsoria, 1611
Carlo Gesualdo
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Reviews (3)
The guardian
d. 25. July 2013
By
By
Andrew Clements (musikanmelder)
d. 25. July 2013
"It's the three motets between the masses ... that make the bigger impression, and show off both the Brabant's care with the weighting of every word and the perfect balance they achieve between the voice parts".
BBC music magazine
2013 November
By
By
Anthony Pryer
2013 November
"The Brabant Ensemble is very experienced in this type of repertory, and achieves some magical effects in the Doulce memoire Mass ... Of the motets O altitudino divitiarum is a truly outstanding and moving work".
The gramophone
2013 September
By
By
Fabrice Fitch
2013 September
"The Brabant Ensemble's campaign in favour of neglected composers finds another worthy candidate ... His [Rore] contrapuntal writing ... has a lucidity that the Brabant Ensemble's light sound emphasises ... something of a trademark for this ensemble ... The drawback is that the grain of the individual voices is ironed out, as also may be the finer nuances of interpretation".