"When ECM originally released these three albums between 1978-82, it was after a succession of prestigious labels had juggled unsuccessfully with Reich's career, impotent marketing departments struggling to get to grips with his repetitive, overlapping phases of percussive notes influenced by Balinese gamelan and Ghanain drumming. Only with the stewardship of ECM's head honcho Manfred Eicher (...) was Reich able to establish a firm base from which to flourish. His shimmering, oscillating clusters chimed with the optimism of a post-Vietnam age and his impact on pop, jazz, classical, electronica, techno and rock would subsequently grow to a point where his indelible influence can now almost be taken for granted by those accustomed to the continual refinement of his core ideas. This valuable collection, like a historical kick in the pants, warns us against such complacency".