"Robert Neumüller's portrait film about Mariss Jansons keeps hopping madly from place to place. In part this is a fitting reflection of the great conductor's international upbringing and career, though some of the hops are prompted more by directorial fidgets ... using interviews, nostalgic location trips, brief staged reconstructions, newspaper clippings ... The Mahler film fully displays Jansons's passionate physical engagement with the music".