Complete wind concertos & serenades
Wolfgang Amadeus Mozart
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Reviews (12)
AllMusic
2012
By
By
James Manheim
2012
"Portuguese-Brazilian pianist Maria-João Pires is a lifelong Mozart specialist, but she still has new things to say in two of Mozart's most popular piano concertos".
Jyllands-posten
d. 7. Dec. 2012
By
By
Jens Povlsen
d. 7. Dec. 2012
"De er ikke taget ud på nye veje i musiklandskabet. Men Mozart stiller stadig krav - også til to så garvede musikere som Pires og Abbado ... Indimellem mangler der modstand i Abbados pæne Mozart-stil, men i hver af koncerterne løber en varm understrøm, der fører dig ud på et tindrende hav fuldt af billeder fra sindets lyse side. Pires og Abbado åbner sjælfuldt for Mozart".
Politiken
d. 30. Jan. 2013
By
By
Thomas Michelsen
d. 30. Jan. 2013
"Den portugisiske pianist Maria João Pires er en eksklusiv fortolker ... Hun har så meget selvfølgelighed i sit Mozartsprog, at der ikke er snert af accent eller unaturlighed at spore. Mozart er simpelthen hendes specialitet. Teknikken på tangenterne er perlende og sikker. Diktionen er rolig, for indholdet siger det hele ... Resultatet er en usædvanlig vellykket Mozart-cd helt i traditionens velprøvede spor og en plade, man kan høre igen og igen".
Politiken
d. 18. Mar. 2008
By
By
Thomas Michelsen
d. 18. Mar. 2008
"Det klinger levende, det nyeste udspil fra Freiburgs stilbevidste sydtyske barokorkester ... Det skyldes ikke kun orkestrets levende, bolsjeseje og farvefriske klang, men - og især - fænomenet Andreas Staier ved hammerklaveret. Han leger med klangfarverne og kaster med hjemmelavede solokadencer, så alt virker friskt og nyt ... Når klaversolisten skiftes ud med en mindre interessant klarinettist, daler spændingsniveauet. Endda en del, desværre".
Jyllands-posten
d. 15. Sep. 2009
By
By
John Christiansen
d. 15. Sep. 2009
Jyllands-posten
d. 21. Nov. 2001
By
d. 21. Nov. 2001
Diapason
2008 février
By
By
Jean-Luc Macia
2008 février
Fono Forum
2008 April
By
By
Ingo Harden
2008 April
"Insgesamt eine ziemlich perfekte, vor allem aber wohltuend harmonische Mozart-Darstellung "im Klang der Entschehungszeit"".
The gramophone
2013 January
By
By
Nalen Anthoni
2013 January
"The conducting is intelligently alive ... Pires enters into the prevailing mood, her artistry as thougthful as of yore ... Pires shows that expressive sensitivity isn't confined to a slow tempo ... Reduced forces might have enhanced the concerto's intimate character. It's a small point. These absorbing, penetrating performances deserve the widest currency".
International record review
2012 December
By
By
Stephen Pruslin
2012 December
"The present Mozart recording is so uniformly excellent that it is rather hard to find the right words to express my reactions to it ... From the first moment the performance has a quality that characterizes the entire recording: a perfect balance between musical, textural and rhythmic precision and all of the mood and atmosphere that the music requires".
International record review
2008 February
By
By
Peter Branscombe
2008 February
"The performance by Andreas Staier and the Freiburg Baroque Orchestra under Gottfried von der Goltz actually brings out more drama in the score than many interpreters find in it ... The recorded quality is high, with natural balance and pleasing perspective".
The gramophone
2008 May
By
By
Richard Wigmore
2008 May
"Vurdering: Editor's choice" - "Two late favourites beautifully recorded - the piano concerto particularl y telling".