Symphony no. 5
Gustav Mahler
Keywords
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Reviews (7)
Klassik heute
d. 22. Oct. 2018
By
By
Georg-Albrecht Eckle
d. 22. Oct. 2018
"Beide Werke, das halbstündige Klavier-Trio und vierzigminütige Klavier-Quartett, sind durchaus Schlüsselwerke, nicht nur Staunobjekte des Wunderknaben. Sie werden höchst seriös realisiert von Solisten, die bestens zusammenstimmen ... Da ist nichts auszusetzen; denn abgesehen vom höchst ausgewogenen und stilsicheren Zugriff, versuchen die Solisten nicht, aus diesen Werken mehr zu machen als sie sind ... Man bleibt objektiv. Und spielt so meisterlich-epigonal wie diese Werke gemeint sind".
Jyllands-posten
d. 15. Feb. 2006
By
By
John Christiansen
d. 15. Feb. 2006
BBC music magazine
2014 July
By
By
Hilary Finch
2014 July
"The idea for this programme is more seductive than its execution ... The youthful piano quartets ... are both played with enthusiasm by the Fauré Quartet. It's the songs in between that are the problem. Simone Kermes ... sings them with little sense of style or idiom".
Diapason
2019 septembre
By
By
Michel Stockhem
2019 septembre
BBC music magazine
2019 January
By
By
David Nice
2019 January
"Blumenthal is adept at switching from Brahmsian sweep to the pre-Till Eulenspiegel sparkle ... There's sufficient unpredictability in the second-movement Presto, and the extra spring of the finale's development to keep this performance very companionable, and the sound is rich as well as perfectly balanced".
The gramophone
2014 July
By
By
Peter Quantrill
2014 July
"In ways more subtle in scale but no less carefully provocative ... this recording asks us to redefine what we think we mean by Romantic performance values ... A selection of much-loved Lieder, sung by Simone Kermes with a cabaret-style intimacy that well suits these arrangements ... make an ideal match for the knowing naïveté of Kermes and the quartet, as dry and refreshing as a decent martini".
International record review
2014 September
By
By
William Hedley
2014 September
"Kermes sings all these songs with engaging freshness".