Music / jazz

Sonocardiogram


Reviews (2)


DownBeat

2019 November

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John McDonough

2019 November

"[Arocena's] music exudes an earthy authenticity, rich in Cuban spiritual life and local references ... Santeria, a faith rooted in West African deities and developed in Catholic Cuba, is on the agenda. Arocena offers polish and sophistication, moving easily between stately choral formality and lightly seductive intimacy. Going full throttle, she projects a gospel power that's led to comparisons with Aretha Franklin. A bit premature, but I get it".


Songlines

2019 December

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Charlotte Algar

2019 December

"Top of the world" - "Music of such depth and beauty it is sure to set your pulse racing ... Fronting big bands by 14, Cuban singer Daymé Arocena is now 27 and releasing her fourth album for Brownswood Recordings, headed up by Gilles Peterson. Her previous albums have explored a myriad of styles from jazz to rumba. Sonocardiogram sees Arocena consolidating her unique style, which is strongly rooted in Santería - a religion she has followed since she was 22. The first section of the album (...) is a piece broken into three parts, each for a different orisha (Santería deity). 'Oshún' (a goddess who can invoke love, sensuality and fertility) is heralded by aching counterpointed harmonies and rolling piano arpeggios, a nod to Arocena's classical training. The song morphs steadily into jazz drum kit speaking the interlocking language of batá, piano figures and angular synth melodies. The second section (...) takes on a different character (...), with bump-and-grind backbeats, funky bass parts, whirring synths, chugging brushed snares and urgent, soulful and embellished vocals".