"In these vivid interpretations, drawn from live performances, Petrenko and his superb Oslo orchestra clearly sympathise with both ends of the spectrum, though it's the wild and woolly Prometheus, much enlivened by Kirill Gerstein's almost jazzy solo piano, that really gets the blood racing. The First Symphony contain its own extravaganza in the vocal finale ... Petrenko shapes such details with great finesse ... Precision, transparency, and, when it's warranted, sweltering heat".