Music / klassiske symfonier

Tod und Verklärung


Reviews (4)


MusicWeb international

2020 September

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Simon Thompson (musikanmelder)

2020 September

"... this is a great disc of Strauss, combining two supercharged tone poems with a less well known bouquet of songs ... Furthermore, it's a gorgeous recording, set down in the Jesus-Christus-Kirche, no less, which audiophiles of a previous generation will recognise as being the scene of some of Karajan's greatest recorded triumphs with the Berlin Philharmonic. The Linn engineers have done a first rate job in using it to illuminate the sound: every detail, so important in Strauss, is perfectly captured, glittering under the microphone's microscope, and it sets the seal on a highly recommendable release".


BBC music magazine

2020 December

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David Nice

2020 December

"When orchestral sonorities and engineering coincide like this, the result in Strauss is thrilling ... Ticciati's winged uplift gilds the afterlife beautifully, while there's dynamic restraint and atmosphere around Don Juan's two love episodes, and magical woodwind solos throughout ... Alder handles it all with personality and luminous security throughout a wide register".


Diapason

2020 novembre

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Rémy Louis

2020 novembre


The gramophone

2020 Awards

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Hugo Shirley

2020 Awards

"For his first Richard Strauss album, Robin Ticciati offers a welcome deviation from the standard. We've got two of the composer's most popular early tone poems, admittedly, but as a coupling come the remarkable Brentano Lieder, composed for Elisabeth Schumann towards the end of the First World War but rarely presented as a complete set. It's a Straussian showcase with a difference, then, and one as much for Ticciati and his Berlin orchestra as for soprano Louise Alder ... a fresh and invigorating album".