"Fronting three different groups may seem like hubris, but the energy and vision of London-based saxophonist Shabaka Hutchings is not easily contained. This second album from his alliance with assorted South African musicians is both calmer and more ominous than his work with the Comet Is Coming and Sons of Kemet ... There are no synth squalls and fractured beats - instead, Hutchings's tenor and clarinet are pitched against an acoustic ensemble driven by double bass and awash with Fender Rhodes piano, an approach that often echoes South Africa's distinct jazz lineage ... A remarkable, shamanic talent".