Requiem
Wolfgang Amadeus Mozart
Emneord
Minder om
Resurrection of Christ
Heinrich Schütz
Vespro della beata vergine
Claudio Monteverdi
25 minutter endnu : Dissing live 2013
Povl Dissing
Weihnachtshistorie
Heinrich Schütz
Motets
Johann Sebastian Bach
Matthäus-Passion
Johann Sebastian Bach
Den danske sommer
Povl Dissing
Passions : Venezia 1600-1750
Les Cris de Paris
Verdi
Giuseppe Verdi
Anmeldelser (4)
Jyllands-posten
d. 6. juli 2012
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Jens Povlsen
d. 6. juli 2012
"Fagiolini-ensemblet forstår at holde deres sti ren. Denne gang med en genoplivning af en række 400 år gamle, rekonstruerede solnedgangsbønner, som både samler og løfter indtrykket af vokalmusikken, der blev til, da renæssance blev til barok. Hollingworth og Oxford-ensemblet er tætte som få og deres vokale svirren tilmed udstyret med overdådig guldlyd. Summen er mesterlig".
BBC music magazine
2012 August
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Anthony Pryer
2012 August
"As we might expect from this group, the best performances come in those pieces requiring spacious grandeur and a generalised awesome sound - the works by Viadana particularly benefit here, as Gabrieli's famous In ecclesiis ... But whenever the vocal ensemble sings without instrumental support (as in Palestrina's Quae est ista), problems of tuning and ensemble arise".
The gramophone
2012 September
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David Vickers
2012 September
"Vurdering: Recording of the month - Vurdering: Gramophone choice" - "This is a liturgical re-creation of Second Vespers of the Feast of Our Lady as it might have been commemorated at an unspecified north Italian venue in 1612 ... Robert Hollingworth's sincere attention to detail is a much-needed breath of fresh air ... Plenty of points to knock your socks off ... One can only relish I Fagiolini's gutsy soloists".
International record review
2012 September
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Simon Heighes
2012 September
"We are invited to imagine ourselves sitting in some glorious North Italian church in 1612 ... There's no lack of sumptuousness when it comes to the choice of music ... Terrific to have so much fine new music by Viadana and Giovanni Gabrieli, but on balance this new offering doesn't match the atmospheric recording and gusto of Paul McCreesh's 'A new Venetian Coronation' ... A welcome return of the 'liturgical recreation' and a wonderfully uplifting and educational experience all round".