Lysene tændes
Hyldemors Grønsaligheder
Emneord
Minder om
Chamber works for strings, vol. 2
Kaija Saariaho
Live at the End of Cole Ave. - the second night
The Velvet Underground
Folk songs
Kronos-Kvartetten
Plays well with others
Phil Collins
Diamonds
Elton John
The masque of moments
Theatre of the Ayre
Så syng da, Danmark!
Carl Nielsen (f. 1865)
I'd love to turn you on : classical and avant-garde music that inspired the counter-culture
Time of the last persecution
Bill Fay
Anmeldelser (2)
The guardian
d. 2. juli 2015
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Kate Molleson
d. 2. juli 2015
"The tenor John Potter has been a Genesis fan since the 1970s, and there's an audible dose of mutual fandom at the heart of this moody collection of lute songs old and new, plus the worthy breakdown of distinctions between "art song" and "pop song". The disc mixes sumptuous Campion and Picforth originals with arrangements of Warlock and Moeran and rather earnest settings by Led Zeppelin's John Paul Jones and Genesis keyboardist Tony Banks. Potter sings with a straight, breathy voice, determined not to sound too classical".
AllMusic
2015
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James Mannheim
2015
"The worlds of the crossover album and of the ECM music label don't overlap much, but this is a crossover album unlike any other released up to this time. For one thing, it deals with the Renaissance lute song, not a form in which new pieces have been written often. And for another, the vocal middle ground between Renaissance vocal styles and the rock background of the contemporary composers is unique ... At a deeper level, there's the food for thought the album offers, about what popular song is, and what its relationship to cultivated traditions might be. The mood is indefinably fresh, a tangential take, but not a departure from the traditional lute song album ... A fascinating album".