Come tomorrow

"The long-running jam band's ninth album centers on hard-earned optimism but smooths out much of what makes Dave Matthews' music engaging".

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"Though his star shone brightest in the Clinton era, Dave Matthews doesn't seem too interested in indulging much Nineties nostalgia. His first album in six years features just a few of DMB's least-attractive jam-funk impulses ... Mostly, though, he explores the mature, singer-songwriter side he's developed during recent work like 2012's Away From the World, getting quiet, contemplative, and unusually sweet on songs both lush (...) and comparatively spare".

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"Darkness is no stranger to Matthews - even his sunnier records have their share of meditative numbers - but Come Tomorrow is a cousin to Some Devil and Busted Stuff, two albums that appeared in the dawning years of the 21st century that found the singer/songwriter questioning his purpose after the first flush of success ... Without Tinsley or the late LeRoi Moore, Dave Matthews Band don't seem as loopy or rangy as they did in their prime, but this leaner sound suits a middle-aged Matthews, who is comfortable in his skin yet restless in his mind".

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